Where To Go In Alaska To See Northern Lights
we still haven't found the bus and now
with no lights and all these trees we're
not able to find it
all right we are on our way out to
willow supposedly there is a old busted
bus with bunch of graffiti on it and
supposedly it's in the middle of nowhere
we brought some LEDs and blow stags
we're out here with brian barges
all right we are still looking for this
bus and the Sun is starting to fade some
people call that a river I call that a
back-up plan and now with no lights and
all these trees we're not maybe we'll
find it three tips for nighttime
photography one check the weather check
the moon
check your location so that you know
exactly where you're going before I get
super dark out and you can't find it
out in the middle of nowhere there's a
bus why wouldn't there be don't want to
touch that looks like a tetanus shot
when you happen so we've got our LED
lights inside we're working pretty well
because our foreground is still too dark
what he's doing this using his light to
paint exposure wherever we need it
Brian taught me this one take your glow
stick
toss it underneath the tripod that way
when you're fumbling around in the dark
you know where everybody's tripod is
we got blessed enough to be able to get
some Northern Lights tonight and you
can't see with the video camera but it's
out there I promise to lose that grass
as foreground just focus on the grass
itself so we gotta get some more light
on the grass so Brian's gonna paint it a
little bit I'm at eight seconds wide
open in the lens 2.8 and 3200 ISO yeah
that's pretty cool it's probably
candidate for a shot of the night so far
big daddy barges so we got lucky enough
that the Northern Lights came out which
is lucky for me because this is the
first time I've ever been able to film
the Northern Lights
I was filming around 30-second exposures
to try to get more light in Brian told
me that the ISO sensitivity is the key
so drop your shutter speed to like four
to six seconds depending on how much the
lights are moving
the bros ears
hey everybody thank you so much for
watching make sure to subscribe to the
channel so you don't miss an episode and
if you like the video please give it a
thumbs up the adventure continues
next time on Alaska photo ventures
with no lights and all these trees we're
not able to find it
all right we are on our way out to
willow supposedly there is a old busted
bus with bunch of graffiti on it and
supposedly it's in the middle of nowhere
we brought some LEDs and blow stags
we're out here with brian barges
all right we are still looking for this
bus and the Sun is starting to fade some
people call that a river I call that a
back-up plan and now with no lights and
all these trees we're not maybe we'll
find it three tips for nighttime
photography one check the weather check
the moon
check your location so that you know
exactly where you're going before I get
super dark out and you can't find it
out in the middle of nowhere there's a
bus why wouldn't there be don't want to
touch that looks like a tetanus shot
when you happen so we've got our LED
lights inside we're working pretty well
because our foreground is still too dark
what he's doing this using his light to
paint exposure wherever we need it
Brian taught me this one take your glow
stick
toss it underneath the tripod that way
when you're fumbling around in the dark
you know where everybody's tripod is
we got blessed enough to be able to get
some Northern Lights tonight and you
can't see with the video camera but it's
out there I promise to lose that grass
as foreground just focus on the grass
itself so we gotta get some more light
on the grass so Brian's gonna paint it a
little bit I'm at eight seconds wide
open in the lens 2.8 and 3200 ISO yeah
that's pretty cool it's probably
candidate for a shot of the night so far
big daddy barges so we got lucky enough
that the Northern Lights came out which
is lucky for me because this is the
first time I've ever been able to film
the Northern Lights
I was filming around 30-second exposures
to try to get more light in Brian told
me that the ISO sensitivity is the key
so drop your shutter speed to like four
to six seconds depending on how much the
lights are moving
the bros ears
hey everybody thank you so much for
watching make sure to subscribe to the
channel so you don't miss an episode and
if you like the video please give it a
thumbs up the adventure continues
next time on Alaska photo ventures
Fall Time Waterfalls in Alaska
all right we're here at Falls Creek
Alaska and we're hunting for some
waterfalls
and I want to talk a little bit about
shooting long exposures for waterfalls
want to show how you can get different
looks with waterfalls so what you'll
need is a camera with a tripod ND filter
i have rain boots on xtratufs because
i'm going to get wet if your lens has
stabilization make sure to turn that off
if you're on a tripod you don't need
that stabilization and sometimes and
will kind of work against you and
introduce a little bit of blurring also
because I have a heavy hand I usually
set my two second timer so that I'm able
to click my shutter button and then step
away let the camera kind of come to a
rest before it snaps a picture
if your water is moving really fast you
can get away with a half second shutter
speed or even something a little less
but you want to make sure that you
preserve the detail in the rushing water
a lot of times if you shoot it really
long you'll lose some of the details in
the white and I want to keep those
details
so here's an example of what I'm talking
about on the left hand side we have a
picture taken with about a quarter
second shutter speed and on the right
hand side a two-second shutter speed so
the one on the left you can see there's
a little more detail it shows a little
bit more motion a little more action and
the one on the right is smoother more
ethereal either one will work it just
depends on what look you're going for
so it's actually dark enough out here
where I didn't need any ND filters I was
shooting at f-22 and anywhere between
1/10 of a second
one second up to two seconds but like I
said depending on how fast the water is
moving will dictate how much shutter
speed you want to apply to it like I
said more always isn't better and the
water that was moving today I was
keeping it right around bug I was
keeping it right around a second and
that was yielding the best results at
least for me it's always a preference
thing but just go out and try it try for
yourself and if you have any questions
just comment below
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